Bio

Jeffrey Lependorf is composer and visual artist, and is also a certified master of the shakuhachi, a traditional Japanese bamboo flute. His music has been performed around the globe—literally, in fact: a recording of his Night Pond for solo shakuhachi was launched into space when the shuttle Atlantis took off on May 15, 1997 and remained for a year aboard the Russian space station Mir. Recently, he has made a return to his first love, visual art, focusing on collage. 

Much of his music composition in recent years draws on canonical musical works used both as filter and raw material—in his operas, often fused with meticulous transcriptions of actual speech—drawing multiple layers of meanings from these disparate materials. Drawn also to the artistic possibilities inherent through collaboration, he has worked with a number of other artists. Together with longtime collaborator poet/performance-artist Jeffrey Jullich, he appeared as one half of Cabaret of Cruelty, the “Post-Artaud, Pseudo-Butoh, Performing Duo,” at places such as The Kitchen and HERE; their song I Shall Kill Salman Rushdie the Blasphemer appears in Charles Bernstein’s anthology, “Patterns, Context, Time.” He has also collaborated extensively with sculptor/film-maker Luca Buvoli on a series of music, film and installation projects. His score for Buvoli’s “Not-a-Superhero: Wherever You Are Not” received two weeks of repeat performances in the Piazza San Marco in conjunction with its showing at the Venice Biennale; installation work with Buvoli has also shown at places such as the Queens Museum of Art and Philadelphia Museum of Art. The “half-seated” cantata, If I Could Stand, If I Could Sit, or, Oh, Bill, Oh, Susan, his collaboration with downtown theater artist Stuart Sherman, opened the first Downtown Arts Festival in SoHo, New York and was performed with live simultaneous video feed (a rare occurrence at the time) to STEIM in Amsterdam. Recordings of some of his work are available on labels including Ayler and Sachimay, and through iTunes, Amazon.com and Spotify. He performs regularly on a variety of Asian bamboo flutes, including shakuhachi, xiao, bawu, hulusi and tanso, appearing most frequently as a member of the NewBorn Trio. His most recent works for shakuhachi explore compositions that incorporate improvisation within structured frameworks experimenting with proportion, appropriation, and interplay.

Born in 1962 in Philadelphia, Jeffrey Lependorf received a doctorate and masters in music composition from Columbia University and his undergraduate degree from Oberlin Conservatory. He also received the venerable honorific name “Koku” (“empty nothingness”) from Kinko shakuhachi master Yoshinobu Taniguchi. His “Masterpieces of Western Music” audio-course is available through Barnes & Noble’s “Portable Professor” series as well as for download through Audible.com. A nationally recognized arts leader, he currently serves as the Executive Director of The Flow Chart Foundation, which explores the interrelationships of poetry and various art forms to open new possibilities as guided by the legacy of poet John Ashbery, and before that served as Executive Director to Small Press Distribution, America’s only nonprofit literary book distributor, and simultaneously, as Executive Director of the Community of Literary Magazines and Presses, helping small press and literary magazine publishers achieve their missions. He currently also serves as Director of the Art Omi: Music international collaborative music-making residency in upstate New York, a program he created.

He has received support from the Jerome Foundation, USArtists International, Meet the Composer, New Dramatists Composer-Librettist Studio, Harvestworks A.I.R Program, Margaret Jory Fairbank Copying Assistance Program of the American Music Center, Blue Mountain Center, Art Omi International Arts Center, Millay Colony for the Arts, American Opera Projects Helping Hands, National Opera Association, National Endowment for the Humanities, New York State Council on the Arts, Polish Cultural Institute, US Embassy in Kosovo, N1 Foundation, Olis Foundation, City of Munich, and the Arch and Bruce Brown Foundation. He currently serves on the boards of Rain Taxi and Art Omi: Writers. He has performed and had works performed across the United States, in Austria, Germany, Iceland, Ireland, Italy, Japan, Kosovo, Liechtenstein and Switzerland by such groups as the The Knights, Cassatt Quartet, Seattle Creative Orchestra, Belvoir Quartet, New Renaissance Chamber Artists, New Calliope Singers and others, at such venues as Bard Summerscape, Basilica Hudson, Music at the Anthology, Dance Theater Workshop, Symphony Space, The Vineyard Theatre, Philadelphia Museum of Art, Hudson Opera House, Cornelia Street Café, Miller Theatre, Knitting Factory, Merce Cunningham Studio, Wexford Arts Center, ABC no Rio, Roulette, The Stone, New York International Fringe Festival, Yale Repertory Theatre, Museum of Arts and Design, Documenta, and the Brooklyn Academy of Music Next Wave Festival. His artworks and sound installations have been exhibited at the Queens Museum of Art, Exit Art, The Fields Sculpture Park at Art Omi, Re:Institute, Benenson Center Gallery, CREATE Gallery, LabSpace, l’ARTeficIO (Torino, Italy), and elsewhere.

Something Close to Music: Late Art Writing, Poems, and Playlists by John Ashbery

Zwirner Books

Hyperallergic, October 2022